Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.

Art can teach us that an image is a transformative gift, that walls and doorways are the same thing, that what we think is only a fraction of what we know, and that the more deeply engaged we become, the greater the resonance – and the mystery – of our work. Using simple kiln-glass processes, as well as paint, clay, fiber, and the natural beauty of Pilchuck, you’ll develop – and learn to trust – your unique creative process and experience your ever-renewing internal source.

This class will explore kiln-casting and pâte de verre through hands-on making, demonstrations, discussions and lectures. The emphasis will be on color and its phenomenological, symbolic, narrative, scientific and technical aspects. Using Bullseye billets, sheets, frits and powders, we will test different ways of colour application and appearance, then move on to develop individual projects through one-on-one discussion. Lectures, discussions and demonstrations will cover history of colour in glass, optical properties, colour and meaning, model-and mould making, firing and annealing, and cold working.

Students will learn how to make blown murrini vessels using colored Bullseye Sheet Glass. I will teach the techniques that I use to make my work. We will look at ways of generating patterns to translate into compositions using stacked colored sheet glass. I will show how to load kilns to fuse sheet glass stacks and how to stretch these into square murrine canes in the hot shop. We will learn different ways to process the canes to prepare them to be formed into vessels. We will go through the process of rolling up the murrine to make blown vessels.

Explore the outdoors in this engraving course inspired by nature. Guided nature walks around the Pilchuck campus and exercises in observation will inspire our studio work focused in the coldshop. This course will concentrate on wheel and bur cameo engraving on Bullseye glass with an introduction to basic fusing. We will also experiment with taking engraving into the field, combining direct experience of the landscape with material exploration. Students can expect to leave with a foundation in the techniques covered, and a connection to the natural environment that defines Pilchuck.
Summer Wheat (b.1977, Oklahoma) subverts hierarchical structures and stereotypes to create expansive depictions of daily life throughout history. She holds a B.A. from the University of Central Oklahoma and an M.F.A. from Savannah College of Art and Design. Wheat has exhibited internationally at the Mint Museum, Kemper Museum of Contemporary Art, Fondazione Mudima (Milan), and with Nazarian/Curcio and Zidoun Bossuyt. Her upcoming light-filled installation "JewelHouse" will open at The Museum of Kansas City in 2027.

LaToya M. Hobbs lives and working in Baltimore, MD. Through her figurative mixed media works she explores the “Matrix as art object” combining elements from both her painting and printmaking practices. Recent exhibition venues include the National Gallery of Art, Washington D.C., Harvard Art Museum and Milwaukee Art Museum. Other accomplishments include a 2023 Distinguished Fellowship in Printmaking at the Penland School of Craft and a 2022 IFPDA Artist Grant.

Exploring common themes and translating them into glass. experimenting with size, color and shape. In addition to developing and exploring his own work, Sam enjoys working with artists who have no relationship with glass translate their ideas into glass. He currently lives in California, building a small hot shop and continuing to explore this medium.

Courtney Branam is a Seattle based artist. When not watering and pruning little trees at Pacific Bonsai Museum, he can still be found working in the studios of the Museum of Glass, Pratt Fine Arts Center and other private shops. Within his personal works, design and craftsmanship lend way to personal vision as color, surface and form come together to compose recognizable visual motifs of the natural world.

Morgan Madison is a Seattle artist working in numerous media, kiln formed glass primary among them. His practice includes developing new work that explores ever-evolving themes of place, creating commissioned artworks and teaching students around the world. Madison’s work inhabits the realm where man-made constructs, the architecture of nature and imagination overlap.
Recent experiences include exhibiting at Seattle Art Fair 2024 with the Corning Museum of Glass and a residency at S12, Bergen Norway.

The 2027 program will have a bit of everything, with workshops led by new and returning Guest Artists from all around the world, featuring a wide variety of techniques to expand your practice! Our offerings are vast and unique, including everything from glass and stone carving with Viviane Stroede and Tobia Silvotti, a glassblowing equipment fabrication workshop with Philip Vinson, a Pâte de verre intensive with Eriko Kobayashi, to an epic mega workshop led by William Morris's old crew, including returning Pilchuck legends Rik Allen, Shelley Muzylowski Allen, Nico Dimitrijevic, Martin Janecký, Jasen Johnsen, Karen Willenbrink-Johnsen, Kelly O'Dell, Ross Richmond, Raven Skyriver and Randy Walker.
With eight sessions stacked full of workshops in nearly every glass technique and at every skill level, there are options for everyone! Our 2027 Program is guaranteed to offer you exciting opportunities for creative experimentation. We hope you enjoy exploring our program and feel inspired to join us on campus. It will be a once-in-a-lifetime experience that you won't want to miss!