Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.
Explore the outdoors in this engraving course inspired by nature. Guided nature walks around the Pilchuck campus and exercises in observation will inspire our studio work focused in the coldshop. This course will concentrate on wheel and bur cameo engraving on Bullseye glass with an introduction to basic fusing. We will also experiment with taking engraving into the field, combining direct experience of the landscape with material exploration. Students can expect to leave with a foundation in the techniques covered, and a connection to the natural environment that defines Pilchuck.
Students will learn how to make blown murrini vessels using colored Bullseye Sheet Glass. I will teach the techniques that I use to make my work. We will look at ways of generating patterns to translate into compositions using stacked colored sheet glass. I will show how to load kilns to fuse sheet glass stacks and how to stretch these into square murrini canes in the hot shop. We will learn different ways to process the canes to prepare them to be formed into vessels. We will go through the process of rolling up the murrini to make blown vessels.
This class will explore kiln-casting and pâte de verre through hands-on making, demonstrations, discussions and lectures. The emphasis will be on color and its phenomenological, symbolic, narrative, scientific and technical aspects. Using Bullseye billets, sheets, frits and powders, we will test different ways of colour application and appearance, then move on to develop individual projects through one-on-one discussion. Lectures, discussions and demonstrations will cover history of colour in glass, optical properties, colour and meaning, model-and mould making, firing and annealing, and cold working.
Art can teach us that an image is a transformative gift, that walls and doorways are the same thing, that what we think is only a fraction of what we know, and that the more deeply engaged we become, the greater the resonance – and the mystery – of our work. Using simple kiln-glass processes, as well as paint, clay, fiber, and the natural beauty of Pilchuck, you’ll develop – and learn to trust – your unique creative process and experience your ever-renewing internal source.
Summer Wheat (b.1977, Oklahoma) subverts hierarchical structures and stereotypes to create expansive depictions of daily life throughout history. She holds a B.A. from the University of Central Oklahoma and an M.F.A. from Savannah College of Art and Design. Wheat has exhibited internationally at the Mint Museum, Kemper Museum of Contemporary Art, Fondazione Mudima (Milan), and with Nazarian/Curcio and Zidoun Bossuyt. Her upcoming light-filled installation "JewelHouse" will open at The Museum of Kansas City in 2027.
LaToya M. Hobbs lives and working in Baltimore, MD. Through her figurative mixed media works she explores the “Matrix as art object” combining elements from both her painting and printmaking practices. Recent exhibition venues include the National Gallery of Art, Washington D.C., Harvard Art Museum and Milwaukee Art Museum. Other accomplishments include a 2023 Distinguished Fellowship in Printmaking at the Penland School of Craft and a 2022 IFPDA Artist Grant.
The work I’m making right now is still really explorative. Exploring common themes and translating them into glass size color shape. I really enjoy working with artists who have no relationship with Glass at all, but have amazing ideas that I’m able to translate them into glass. Im currently living in California slowly tinkering away building a small hot shop so I can continue exploring this medium.
Courtney Branam is a Seattle based artist. When not watering and pruning little trees at Pacific Bonsai Museum, he can still be found working in the studios of The Museum of Glass, Pratt Fine Art Center and other private shops. Within his personal works, design and craftsmanship lend way to personalvision as color, surface and form come together to compose recognizable visual motifs ofthe natural world.
Every summer since 1971 the glass world has come together for innovative and rigorous workshops with an international cohort of instructors and artists. In 2025 we will host seven sessions.
The summer is filled with an all-star roster including Jen Elek, Annette Blair, Ben Edols, Jessica Loughlin, Sibelly, Danny Coyle, Dante Marioni and more. An advanced topics Spring Session will include an opportunity to be a part of Pilchuck history by rebuilding one of the program furnaces with Fred Metz. Session 3 will see the return of lampworking maestro Lucio Bubacco for a 30-year reunion of his Flame to Furnace collaboration with Brian Kerkvliet and Ed Schmid. Preston Singletary and Martin Janecký will bring their combined approach to Session 4. Silvia Levenson returns during Session 5, Pilchuck’s first bi-lingual (Spanish/English) session.
Join us for another transformative year on the hill.