Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.
Students will begin working in clear glass focusing on forms such as tumblers, cylinders, bowls, bottles and forms with waists, moving methodically from one shape to the next. Skills learned will then be applied to color applications, such as overlays, basic cane work, and incalmo. Refining skills, working efficiently, improving heat control and surveying basic blowing theories will be covered. Instruction will be personalized building on individual skills, and one-on-one time will be given to help find solutions to common struggles. Course content will include professional practice and with an emphasis on teamwork and collaboration, blowing teams will rotate daily.
Explore the potential of adding 3D computer modeling and printing to a kiln-casting practice. Students will learn to use Rhinoceros 3D modeling software and 3D scanning for approaches to turning 3D prints into kiln-cast glass objects. Software and 3D printing demonstrations will be combined with more traditional lost wax casting, rubber mold making, investment mold making, annealing and kiln-casting discussions, along with cold working, and glass finishing. Experimentation will be essential as students explore possibilities of using glass and technology as tools for research within their own practice. A laptop is required.
Drawing on the histories of social practice and activism, Neon in the Field hybridizes neon fabrication, performance, and found objects to create portable signage that breaks free from the wall and engages with the public field. Participants will learn pattern-making and tube bending, then utilize dead-frames and portable power supplies to construct kinetic light artworks. Participants can expect to leave with two simple neon signs and one battery-powered transformer. Open to all skill levels, this workshop invites everyone to light up the night with their glowing creations.
Dive into the fascinating world of plasma by exploring the art of creating plasma panels using fused glass techniques. In our kiln shop sessions, you'll utilize glass design and assembly, shaping the glass with molds or fiber models, and sealing the parts using specialized enamel as a“solder glass” in the kiln. In the neon/plasma shop, you'll learn about the equipment and vacuum techniques, and delve into the nuances of gas pressure and phosphors for color. Discover the key to choosing power supplies and troubleshooting. Join us and unravel the rarely explored path of flat panel plasma design!
This exciting interdisciplinary class will focus on the combination of techniques and materials to explore bringing individual ideas from concept to completed sculptural forms. Using Zircar Mold-Mix 6, students will be directed towards a personal expression through sculpting and casting hot glass, mold blowing forms and casting elements in bronze. This finely applied mold material will allow for reproducing found and hand formed objects as well as creating relief and painted elements as inclusions inside the glass. Traditional lost wax processes combined with sculpting glass will allow the student exciting possibilities in the combination of diverse materials and individual narratives.
Kartini Thomas is an American sculptor who lives and works on Oléron Island in France. Inspired by monsters, microbiology and modular toys, Thomas sculpts playful landscapes populated by creatures that are at once charming and unsettling. Changes in scale, mischief, monstrosity, exploration and unpredictability are important parts of this creative adventure. She was recently awarded the Homo Faber Fellowship as a Master Artisan as well as the Young European Ceramicist's Prize.
timo fahler (b. 1978, Tulsa, OK) uses steel, glass, plaster, wood, and found objects to construct culturally significant works. fahler’s work explores ideas of home and indigeneity. His practice is inspired by science fiction, historical texts and comparative mythology, and hones in on his knowledge of labor and craft-based materials to present alternative narratives. Rebar drawings, glass compositions and plaster replicas of his body invoke familial and ancestral relationships to manual labor.
Morgan Peterson graduated from the Massachusetts College of Art and Design with a dual degree in 2006. Upon completion of her degrees, she relocated to Seattle, WA. United States, to pursue a career and continue her education and advancement in the arts. Morgan has worked for many notable artists, including Buster Simpson and Bruce Mau, and is a full-time team member for Dale Chihuly. She is heavily involved with Pratt Fine Arts and Pilchuck Glass School, not only as a member of the staff but also as an instructor. Her work has developed inside and outside these industrial spaces into a unique system of metaphor and imagery based on themes of satire through pop culture and addiction. Morgan was included in The Young Glass Exhibition, hosted by the Glasmuseet Ebeltoft, which is an international competition that only occurs once a decade. She has also participated in multiple group shows in 2019, including Pittsburg Glass Center, The Habatat Invitational, CHROMA (Nashville, TN.), Traver Gallery (Seattle, WA.), REFRACT (Seattle’s Glass Art Fair), and the Irish Glass Biennale (Dublin also in 2023). In 2020 and 2022, Morgan exhibited virtual solo shows through Habatat in Royal Oaks, MI. She completed her first in person solo exhibition at Method Gallery, Seattle, WA, in October 2021.
Manolo Aguilera is a glass artist originally from Veracruz, Mexico and based in Seattle. With over 20 years of experience, his work blends traditional glassblowing and modern skills with Mesoamerican themes, honoring his cultural roots. He is also part of the Chihuly team and mentors youth through art.
Pilchuck's 2026 Program is not to be missed. Back by popular demand, we have several returning Guest Artists. Boyd Sugiki and Lisa Zerkowitz return to guide participants in honing shapes, heat control and color applications in the hot shop. Raven Skyriver and Kelly O'Dell will be back at it, bringing nature to life in the hot shop through hot sculpting. Eddy Bennett will be returning with his mentor Dave Smith to impart their masterful Victorian reverse signpainting techniques. For the first time, Pilchuck brings Peter V Hermansson and Bjørn Friborg to explore narrative expression through the Swedish Graal technique while Ashley Harris and Matthew Day Perez will take kiln-forming techniques to new heights through unconventional mold-making methods. Our first ever Design Session (Session 6: Form) will pair designers, artists and fabricators to push the boundaries of glass in design.
With all this and so much more, there is something for absolutely anyone ready to either start their glass journey or take it to the next level. Combining a deep focus on glass, access to a variety of resources, a picturesque Pacific Northwest campus and an ever-expanding international community of artists, Pilchuck has become the most comprehensive educational center in the world for glass artists. As always, Pilchuck's 2026 Program pulls together the legendary and emerging leaders in glass. We hope you choose to join us!