Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.

In this workshop, students will focus on the many aspects of mold making in both plaster and polymers for use in kiln working and fabrication. We will cover techniques for problem solving in the mold room that will be useful for a variety glass studio applications, including kiln-forming, casting, mold blowing and wax production. Students are encouraged to bring their own projects for problem solving and experimentation. This class will also go over practical information about running a fabrication studio; from bidding jobs to setting professional boundaries.

This intemediate glassblowing workshop invites students to build a world of objects connected through material, color, narrative and "family resemblance.” Together, we will explore how designed objects can feel related — like cousins, siblings or distant relatives — through repeated gestures, forms, textures and ideas. Students will identify a creative thread within their interests and learn how to elaborate on it across a playful and evolving family of sculptural and functional work infused with their own DNA and point of view. Through demonstrations, experimentation and group discussion, students will explore a variety of color application techniques including overlays, encalmo, cane and murrine. Along the way, we’ll embrace curiosity, intuition and risk-taking while developing confidence in the hot shop. Whether you are relatively new to glass or looking to deepen your voice within the material, this class offers an encouraging environment to experiment, connect ideas and create work that feels uniquely yours.

In this beginning-level workshop, students will learn the basics of neon tube bending in open flame, electrical wiring and installation with an aim toward three-dimensional expression. We will attempt to access flow state and empathy with our materials through collective and personal inspiration. We will read poetry! We will look at the artworks of others! We will explore this medium as its own language to express emotions, stories and essences that are personal to each student. Please come prepared with ideas, sketches and/or personal objects as we will attempt to find their representation on an emotional plane and bring that expression to life through illuminated glass. Students will also learn the basics of working with various jigs, the use of dead frames and ancillary sculpture as support and freestyle eye-to-hand experimentation in glass tubing.

This workshop takes inspiration from both the Light and Space and the Arts and Crafts movements, the former being founded in Southern California and the latter having a heyday there. This workshop will offer students the opportunity to work with glass and other materials in multiple ways and to explore materiality, light and a sensory harmony with the environment. Topics include glassblowing, stained glass and sculpture.

A fun and free form salvage mosaic glass workshop with Ben Tuna, "the glass cowboy." Students will learn the art of leaded stained glass using salvaged stained glass components and other found materials. Glass cutting, patternmaking, installation, metal working, and non-traditional techniques will be used to create one of a kind works.
Mike Reesé is a multidisciplinary artist whose work explores emotion, mythology, and identity through symbolic world-building. Drawing from archetypes, semiotics and personal mythology, Reesé creates immersive visual languages that span painting, sculpture and experiential design. His practice merges sculptural abstraction with coded systems of communication, most notably through recurring motifs such as floral forms, masked figures and “The 26 Tribes of Alphabeasts,” an evolving hieroglyphic alphabet representing emotional states of the human experience. Rooted in both fantasy and lived reality, his works investigate preservation, transformation and the ways emotion can be translated into symbolic systems of meaning. Reesé is the co-founder of DREAMHAUS LA and currently serves as Art Director for The OPM Company.

Maddy Inez utilizes ceramics and sculpture to explore themes of healing and ancestral memory, treating clay as both a medium and a metaphor for collective trauma. Her works often evoke plants known for their healing properties or mythological significance, merging the spiritual with the ecological. This approach prompts reflection on humanity’s fragile yet powerful relationship with the natural world.

Throughout her artistic career, Danielle has explored her voice through various techniques involving glass and mixed media. After receiving her Bachelor of Fine Arts in Glass from the Tyler School of Art at Temple University in 2012, she immediately became immersed in the world of glass lighting and production. Danielle previously lived in Brooklyn, New York where she worked as a freelance glassblower, artist assistant and educator out of UrbanGlass. During this time, Brensinger also taught as an adjunct professor at Salem Community College in New Jersey. She has received full scholarships from the Celebrity Fund as well as the Tommie Rush and Richard Jolley Scholarship Fund to attend classes at the Corning Museum of Glass and the Penland School of Crafts. Danielle has also been able to attend Pilchuck Glass School and the Bild-Werk Academy in Frauenau, Germany as a teaching assistant for both glass blowing and bronze casting classes. She recently completed her Masters of Fine Art at Cal State San Bernardino in 2023 and currently lives in Los Angeles, California. Danielle is an integral part of Second Best Studio while she continues to work as a freelance glassblower fabricating work for lighting designers and other artists.

Ethan Stern is a Los Angeles-based artist, designer and educator whose work explores light and the relationship between surface and form through blown, cut, engraved and sculpted glass. Grounded in labor and material practice, Stern’s work draws from influences including cut crystal, architecture, the natural environment and traditions in glass and ceramics. Combining blown glass with intensive cold working processes, he creates sculptural objects that emphasize surface, texture and pattern. Stern lives and works in Los Angeles, California. Recent exhibitions include "The Optics of Now: SoCal Glass" at the Palos Verdes Art Center and "Reality and Illusion" at the China Academy of Art in Hangzhou. His work is included in the collections of the Corning Museum of Glass and the Museum of Glass.

Originally from Seattle, Mike Jess relocated to the East Coast in 2017 to further pursue a career in glass. Currently, he works as a fabricator and cold worker out of the UrbanGlass studios in Brooklyn, New York. In his personal work, he employs clean, simple forms and layered carving techniques to reveal and create dynamic color relationships. Most recently, he had a residency at Gray Barn Studios in Arlington, Washington, and a winter residency at Penland School of Crafts.

The 2027 program will have a bit of everything, with workshops led by new and returning Guest Artists from all around the world, featuring a wide variety of techniques to expand your practice! Our offerings are vast and unique, including everything from glass and stone carving with Viviane Stroede and Tobia Silvotti, a glassblowing equipment fabrication workshop with Philip Vinson, a Pâte de verre intensive with Eriko Kobayashi, to an epic mega workshop led by William Morris's old crew, including returning Pilchuck legends Rik Allen, Shelley Muzylowski Allen, Nico Dimitrijevic, Martin Janecký, Jasen Johnsen, Karen Willenbrink-Johnsen, Kelly O'Dell, Ross Richmond, Raven Skyriver and Randy Walker.
With eight sessions stacked full of workshops in nearly every glass technique and at every skill level, there are options for everyone! Our 2027 Program is guaranteed to offer you exciting opportunities for creative experimentation. We hope you enjoy exploring our program and feel inspired to join us on campus. It will be a once-in-a-lifetime experience that you won't want to miss!