Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.

In this workshop, students will explore the art of mosaic through textures and patterns inspired by nature, observing how symmetry and chaos coexist in the natural world. The workshop offers hands-on experimentation with a variety of materials, from traditional glass and marble to natural elements or everyday objects, transforming them into original mosaic artworks. The workshop also includes an overview of mosaic history, from its origins to contemporary practices. It will also include practical training with traditional tools like the hammer and modern tools like pliers, including cutting marble, glass and alternative materials. This workshop provides a unique opportunity to develop creativity, reconnect with nature and transform ordinary objects into expressive mosaic art.

At the engraving lathe, we will get to know the essential engraving tools and build confidence with stone and diamond wheels. In this workshop, we will explore how each wheel moves and how it changes the surface. We will work through the fundamentals step by step until the hand finds its rhythm and we begin to sense how the glass responds. Alongside classic wheel engraving, we will work with the battuto technique, creating rhythmic, geometric textures.

Through hollow-core kiln-casting, students will explore how glass can contain layered interior and exterior space through transparency, magnification and depth. Using hollow-core, hanging-core, multi-part and press mold techniques, students will create sculptural cast glass works incorporating personal objects, found materials or natural forms. Demonstrations will include silicone mold making, plaster and clay modeling, kiln firing, and coldworking techniques such as cutting, grinding, and polishing. Alongside technical development, the class will investigate relationships between inner and outer space, memory, perception and personal imagery. All skill levels are welcome, with advanced students able to pursue more complex hanging-core techniques.

This workshop will combine borosilicate tubes and rods to create kinetic works in glass. Students will explore flameworking and cold working techniques to create elements of movement in boroscilicate glass. Expand your horizons on how to use glass as a material. This workshop will explore core concepts through individual and collaborative projects.

We encounter lighting everywhere. It sets atmosphere through intensity, color and form. Through experiments, you will mock up lighting ideas by exploring different effects like shape, material and hardware. This class will cover basic electrical wiring, hardware, assembly and making your own blown glass parts. Demonstrations will include introductions to lamp parts and prefabricated wiring sets, blowing glass according to specs and/or working with glass fabricators, cold working and basic wiring. Assignments are given and problem solving will be a focus. Students are encouraged to "think out of the box." The class will focus on going from a concept to finished piece or collection. If you are interested in lighting and come from a design, product or art background, this is an excellent class for you to master taking a project from lighting concept to prototype.
Aki Sasamoto was born in Kanagawa, Japan, and currently lives and works in New Haven/Brooklyn, United States. Sasamoto works in sculpture, performance, video and more. In her installation/performance works, Sasamoto moves and talks inside the careful arrangements of sculpturally altered objects, activating bizarre emotions behind daily life. Her works appear in gallery spaces, theater spaces and odd sites. Her works were shown at Queens Museum; Sculpture Center; the Kitchen; Chocolate Factory Theater;' Whitney Biennial 2010; MOMA-PS1, New York; Museum of Contemporary Art Tokyo; Aichi Triennale 2022; National Museum of Art-Osaka; Hirosaki Museum of Contemporary Art; Yokohama Triennale 2008, Japan; Busan Biennale 2022; Gwangju Biennial 2012, South Korea; Shanghai Biennale 2016, China; Kochi-Muziris Biennale 2016, India; Kunsthal Rotterdam, Netherlands; Studio Voltaire, United Kingdom.; Pirelli Hangar Bicocca, the 59th Venice Biennale, Italy.

Jen Elek is a studio artist and educator based in Seattle, Washington. Through immersive installations composed of blown glass, steel, and neon, Elek explores themes of human connection and community. Her vibrant work highlights the physical and symbolic properties of her materials—their ability to reflect, magnify, and radiate bold color and emotion. Elek earned her BFA from the New York State College of Ceramics at Alfred University. Originally from Bethlehem, Pennsylvania, she became an integral part of the Northwest arts community after relocating to Seattle in 1995. An active and respected presence in the international glassblowing community, Elek has taught workshops around the world, including at the Sydney College of the Arts, JamFactory in Adelaide, Australia, Hilltop Artists, the Pilchuck Glass School, Penland School of Crafts, UrbanGlass in New York, and The Studio at the Corning Museum of Glass. She has also served as a visiting lecturer at Jacksonville University (FL) and the University of Washington (Seattle).
Elek has worked alongside many notable artists and spent 15 years as a key member of Lino Tagliapietra’s glassblowing team. Her artistic contributions have been recognized through residencies at institutions including the Museum of Glass in Tacoma, the Pittsburgh Glass Center, and UrbanGlass in Brooklyn. Jen serves on the board of Pilchuck Glass school. Jen shares a Seattle-based studio with her husband and frequent collaborator, Jeremy Bert. Together, they recently completed a permanent public installation titled The Illuminated Palouse for the Port of Seattle, located near the D gates at SeaTac International Airport.
Jen Elek is represented by Traver Gallery in Seattle, Washington.

Sayuri Fukuda is originally from Ibaraki, Japan, and studied glass art and craft at Joshibi University of Art and Design in Tokyo. For her, the joy of creation is about combining beauty with function, as well as incorporating expressions from nature and understanding the characteristics of the material. She moved to Seattle 13 years ago, where she makes her work, assists other local artists with their works, as well as does research and development for glassybaby. Her works have been introduced in the Pacific Northwest stores such as Frye Art Museum Store in Seattle, Storied Objects in Portland, and Kobo Shop & Gallery in Seattle.

The 2027 program will have a bit of everything, with workshops led by new and returning Guest Artists from all around the world, featuring a wide variety of techniques to expand your practice! Our offerings are vast and unique, including everything from glass and stone carving with Viviane Stroede and Tobia Silvotti, a glassblowing equipment fabrication workshop with Philip Vinson, a Pâte de verre intensive with Eriko Kobayashi, to an epic mega workshop led by William Morris's old crew, including returning Pilchuck legends Rik Allen, Shelley Muzylowski Allen, Nico Dimitrijevic, Martin Janecký, Jasen Johnsen, Karen Willenbrink-Johnsen, Kelly O'Dell, Ross Richmond, Raven Skyriver and Randy Walker.
With eight sessions stacked full of workshops in nearly every glass technique and at every skill level, there are options for everyone! Our 2027 Program is guaranteed to offer you exciting opportunities for creative experimentation. We hope you enjoy exploring our program and feel inspired to join us on campus. It will be a once-in-a-lifetime experience that you won't want to miss!