Skip to main content
Logo for Pilchuck Glass School. An illustration of its Hot House building.
Programs
Program Information
2027 Program
2026 Program
Crafts Workshops
Pilchuck Fellowship
Residencies
Outreach
Pilchuck + Museum of Glass
Applications
Application Information
Scholarships & Financial Aid
Tuition & Fees
Seasonal Staff Positions
Assistantship Opportunities
Locations
Campus
Stanwood Campus
Studios
Resources & Installations
Office & Studio
Seattle Office & Studio
About
About Pilchuck
Mission
History
Leadership
Events
Spring Tours
Apr 22 - 25, 2026
CHIHULY: Venice 2026
May 5 - Nov 14, 2026
Pilchuck Celebrates
May 27, 2026
Out of the Woods Exhibition
Jun 2 - Oct 30
2027 Program Launch Party
Jul 11, 2026
Design Conference
Aug 14 - 16, 2026
Auction & Gala
Oct 17, 2026
Light the Forest
Nov 14 - 15, 2026
Pilchuck Holiday Sale
Nov - Dec, 2026
Crafts Workshops
Year round
Lecture Series
Giving
Donate
Volunteering
Auction & Gala
Monthly Giving
Ways to Give
How to Give
Our Supporters
ShopContact
Logo for Pilchuck Glass School. An illustration of its Hot House building.
Menu
Programs
Back
Program Information
2027 Program
2025 ProgramCrafts WorkshopPilchuck FellowshipResidenciesOutreachPilchuck + Museum of Glass
Applications
Application InformationScholarships & Financial AidTuition & FeesSeasonal Staff PositionsAssistantship Opportunities
Locations
Back
Campus
Stanwood CampusStudiosResources & Installations
Seattle Office & Studio
Seattle Office & Studio
About
Back
About Pilchuck
MissionHistoryLeadership
Events
Back
Events
Spring ToursCHIHULY: Venice 2026Out of the Woods Exhibition2027 Program Launch PartyAuction & GalaHoliday SaleDesign ConferencePilchuck CelebratesLight the ForestLecture SeriesCrafts Workshops
Giving
Back
Giving
DonateVolunteeringAuction & GalaWays to GiveHow to GiveOur SupportersMonthly Giving
ContactShop
1201-316th St NW, Stanwood, WA 98292

Session 06

Chroma

Jul 29

-

Aug 9, 2027

Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.

Guest Artists
Morgan Madison
Jacob Fishman
Zoelle Nagib
Ted Ellison
Jimmy Anderegg
Megan Stelljes
Kirsten Vikingstad Hermansson
Artists in Residence
Laleh Khorramian
Jen Stark
Gaffers
Dante Marioni
Jack Spitzer
Apply now
Application information
All Levels

Advanced: 5+ years of frequent practice in the technique(s) listed

Intermediate: 2-4 years of frequent practice in the technique(s) listed

Beginner: 0-1 years of frequent practice in the technique(s) listed

All Levels: Encompasses all of the above, all are welcome

Designing in Glass: Concept, Construction and Craft

Jul
29
-
Aug
9
-
Guest Artists
Ted Ellison
Workshop Topics:
Stained Glass
Wood & Metal

This workshop covers the fundamentals of creating original designs and building them with leaded came and copper foil. Beyond design and technical instruction, this workshop will cover what most classes leave out: how to price work, photograph work, handle installation, reinforce panels and protect your designs. We will weave in decorative arts history throughout — not as background, but as a working resource. Understanding where this craft has been is part of knowing what's possible. The goal isn't mastery, it's the experience of moving through uncertainty toward a finished piece and gaining the confidence to keep making when the workshop is over.

Workshop details
Workshop full
Apply now
Apply now
Applications open Sep 22
Applications are closed
All Levels

Advanced: 5+ years of frequent practice in the technique(s) listed

Intermediate: 2-4 years of frequent practice in the technique(s) listed

Beginner: 0-1 years of frequent practice in the technique(s) listed

All Levels: Encompasses all of the above, all are welcome

More is More

Jul
29
-
Aug
9
-
Guest Artists
Kirsten Vikingstad Hermansson
Workshop Topics:
Mold-making
Cold Working

This workshop introduces experimental glass sculpture through casting, coldworking and hot assembly. Students will work in the hot shop, cold shop, and kiln room, using furnaces, annealers, molds and grinding and polishing equipment. Emphasis is placed on material transformation, reuse of discarded glass and embracing imperfection. Students will develop small sculptural works or modular elements assembled into larger forms. The workshop may include group critiques, process demonstrations and discussions around contemporary glass and interdisciplinary sculpture.

Workshop details
Workshop full
Apply now
Apply now
Applications open Sep 22
Applications are closed
All Levels

Advanced: 5+ years of frequent practice in the technique(s) listed

Intermediate: 2-4 years of frequent practice in the technique(s) listed

Beginner: 0-1 years of frequent practice in the technique(s) listed

All Levels: Encompasses all of the above, all are welcome

Powder Potential

Jul
29
-
Aug
9
-
Guest Artists
Morgan Madison
Workshop Topics:
Kiln-Forming
Digital Fabrication

This workshop is a comprehensive introduction to powder printing, a process that combines glass powders with traditional screen-printing techniques. We will open up a world of possibilities to explore, including developing new and expansive glass color palettes, creating intricate 2D designs and bold imagery and creating 3D work with compelling depth and texture using mulitple layers of glass powders. This workshop will cover analog approaches to the process, using easily accessible techniques with simple tools and materials to create work that belies the humble nature of this approach. We will also explore technologically based approaches to the process, translating digital imagery and designs into glass. This workshop will share the awesome potential of powder printing and provide a sound foundation for those looking for a highly accessible approach to printing with glass and those who wish to pursue more advanced or technologically driven techniques in the process.  

Workshop details
Workshop full
Apply now
Apply now
Applications open Sep 22
Applications are closed
All Levels

Advanced: 5+ years of frequent practice in the technique(s) listed

Intermediate: 2-4 years of frequent practice in the technique(s) listed

Beginner: 0-1 years of frequent practice in the technique(s) listed

All Levels: Encompasses all of the above, all are welcome

The DNA of Neon Art

Jul
29
-
Aug
9
-
Guest Artists
Jacob Fishman
Zoelle Nagib
Workshop Topics:
Neon

Every family has a story. With father-daughter duo Jacob Fishman and Zoelle Nagib, get to know the color stories and family histories associated with traditional neon glass techniques. We will explore traditional neon bending, touching on lettering and skeleton frames, and focus on the use of color to tell your own stories. In this workshop, students will utilize neon as a sculptural medium with color as the jumping off point. We will explore the available color palette, how different glass colors work in the flame, and, once lit, how the colors interact and speak to the intent of the artwork. Jacob will bring his technical engineering background, and Zoelle will bring her light-as-aesthetic sensibilities to push students' neon skills past the basics and into their truest artistic expression. Open to all levels, this class will center on light as the medium through which we observe and feel color families.

Workshop details
Workshop full
Apply now
Apply now
Applications open Sep 22
Applications are closed
All Levels

Advanced: 5+ years of frequent practice in the technique(s) listed

Intermediate: 2-4 years of frequent practice in the technique(s) listed

Beginner: 0-1 years of frequent practice in the technique(s) listed

All Levels: Encompasses all of the above, all are welcome

What Shapes Hue?

Jul
29
-
Aug
9
-
Guest Artists
Megan Stelljes
Jimmy Anderegg
Workshop Topics:
Glassblowing

During this workshop, we will work in the hot shop on advanced blown and solid sculpture and color applications, including layered powder applications and stuff cups. We will guide you through creating everything from simple, nuanced shapes to elaborate, imaginative forms. Bring your ideas to life as we delve into the “how’s” and “why’s” of achieving your vision. Through personalized instruction during individual blow slots, you’ll refine your techniques and elevate your skills. Whether you’re a beginner, eager to learn, or an experienced glassblower looking to take your craft to the next level, this course will be both educational and a lot of fun.

Workshop details
Workshop full
Apply now
Apply now
Applications open Sep 22
Applications are closed

Artist in Residence

Laleh Khorramian

Laleh Khorramian, born in Tehran, Iran, studied at the Rhode Island School of Design, Providence, Rhode Island, and received her BFA at The School of The Art Institute of Chicago, Chicago, Illinois, and her MFA at Columbia University, New York, New York.  Her work draws on a rich inheritance of mysticism and storytelling and utilizing the layered methods of painting and printmaking, she creates sculptural costumes, textile collages and illuminated installations. She has presented exhibitions at The Baltic Center for Contemporary Art, United Kingdom; Midnight Moment, Times Square, New York, MASS MoCA, Massachusetts; Sundance Film Festival, Utah; MoMA P.S.1, New York; Guggenheim Abu Dhabi; Ballroom Marfa, Texas; among others. Khorramian lives and works in New York where she is Artist in Residence at Bard College.

Jen Stark

Jen Stark’s art is driven by her interest in conceptualizing visual systems to simulate plant growth, evolution, infinity, fractals, mimetic topographies and sacred geometries. Using available materials — paper, wood, metal, paint — Stark strives to make work that balances on a razor’s edge of optical seduction and perceptual engagement. In recent years, Stark has introduced new technologies into her diverse practice, delving into the digital realm of interactive projections and distinctive NFTs. The resulting works often resemble organic, molecular, cloud-like structures, and are imbued with kinetic, undulating effects that serve to dislocate the viewer from staid reality into an immersive ecosphere of echoing patterns and the implausible designs found in nature. Even her vivid colors are in direct conversation with the natural world; the attractant/repellent properties of flowers encouraging pollination or insects warning birds of their poisonous traits, and the luminous mystery of phosphorescent sea creatures are among Stark’s concerns.

‍

Gaffer

Dante Marioni

Dante Marioni burst onto the international glass scene at the age of 19 with a signature style that has been described as the purest of classical forms executed in glass by an American glassblower. His amphoras, vases, and ewers are derived from Greek and Etruscan prototypes, yet they are imaginatively and sometimes whimsically reinterpreted. His impossibly elongated, sinuous shapes are made with bright and saturated contrasting colors.

Gaffer

Jack Spitzer

Born in Tacoma, Washington, Jack Spitzer is a product of being raised in the Pacific Northwest glass scene. His early exposure to the medium — influenced by his grandmother's involvement with the Museum of Glass — led him to begin blowing glass at the age of twelve. Spitzer is apprentice to Dante Marioni, and on Dale Chihuly's glassblowing team. Spitzer is setting the standard for the younger generation of glass makers. His early connection to the material and its history has shaped a practice that is rooted in tradition, yet driven by innovation.

Support for Students

Scholarships and financial aid

Learn more

Pricing Informaton

Tuition and fees

Learn more

2027 Program

The 2027 program will have a bit of everything, with workshops led by new and returning Guest Artists from all around the world, featuring a wide variety of techniques to expand your practice! Our offerings are vast and unique, including everything from glass and stone carving with Viviane Stroede and Tobia Silvotti, a glassblowing equipment fabrication workshop with Philip Vinson, a Pâte de verre intensive with Eriko Kobayashi, to an epic mega workshop led by William Morris's old crew, including returning Pilchuck legends Rik Allen, Shelley Muzylowski Allen, Nico Dimitrijevic, Martin Janecký, Jasen Johnsen, Karen Willenbrink-Johnsen, Kelly O'Dell, Ross Richmond, Raven Skyriver and Randy Walker.

With eight sessions stacked full of workshops in nearly every glass technique and at every skill level, there are options for everyone! Our 2027 Program is guaranteed to offer you exciting opportunities for creative experimentation. We hope you enjoy exploring our program and feel inspired to join us on campus. It will be a once-in-a-lifetime experience that you won't want to miss!

Explore 
2027 Program
Seasonal Staff positions
Assistantship opportunities
Application information

Session 01
:
Apr 29
–
May 8, 2027

Gather & Build

Session 02
:
May 14
–
May 25, 2027

Strange Attractors

Session 03
:
May 31
–
Jun 11, 2027

Bricolage

Session 04
:
Jun 17
–
Jun 28, 2027

Best Coast

Session 05
:
Jul 4
–
Jul 20, 2027

Impossible Things

Session 06
:
Jul 29
–
Aug 9, 2027

Chroma

Session 07
:
Aug 21
–
Sep 1, 2027

Body Electric

Session 08
:
Sep 7
–
Sep 14, 2027

Small Steps / Giant Leaps

Ready to join us?

Contact us
or reach out directly 360.445.3111
Learn how to apply
See ways to give
Get our newsletter
Pilchuck Glass School.

Pilchuck Glass School is recognized as a 501(c)(3) charitable organization and is an equal opportunity employer.

Pilchuck Glass School is located on the ancestral homelands of the Skagit, Tulalip, and Stillaguamish tribes, who continue to thrive and who are the contemporary custodians of the land where our campus is situated. We honor the ancestors and respect the elders of the past and present of these tribes.

Pilchuck does not discriminate on the basis of gender, sexual orientation, race, religion, nationality or ethnic origin in employment or in artistic or educational programs.

Logo for Pilchuck Glass School. An illustration of its Hot House building.
2020 Pilchuck Glass School.
All Rights Reserved.
About
MissionHistoryLeadershipCareersContactGet Our NewsletterFAQs
Locations
Stanwood CampusBuildings & FacilitiesSeattle Office
Enrollment
Application InformationScholarships & Financial AidTuition & Fees
Giving
DonateVolunteeringAuction & GalaWays to GiveHow to GiveOur SupportersShop
Programs
2027 Program
2026 Program
Pilchuck FellowshipCrafts WorkshopsResidenciesOutreach
Events
Spring ToursPilchuck CelebratesLight the ForestHoliday Sale
1201-316th St NW, Stanwood, WA 98292
Website by Gigantic
The logo of Pilchuck Glass School.
2024 Pilchuck Glass School.
All Rights Reserved.
Website by Gigantic