Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.
This course explores glass as a vessel for collective imagination. Through techniques including warm glass (fusing, slumping, open face casting), cold shop (cutting, carving, sandblasting), and engraving, students will collaboratively transform found objects and images into layered, poetic artifacts. Inspired by surrealist methods like the exquisite corpse, the course embraces process, intuition, and transformation. Participants will work across each other’s projects, creating hybrid pieces that shift from the 2D to the 3D and back. Outcomes include conceptual glass objects, process-based installations, and collective experiments in form and meaning. Optional elements include drawing sessions, writing prompts, and performative presentations.
This class will focus on problem solving through design. We will discuss the core principals of design and object ideation as well as the steps necessary to execute our ideas.Through daily lecture and demos we will be discussing themes such as design from formal perspective, consideration of audience and intention, as well as the importance of production processes to arrive at fully thought-out product. We will be approaching process from the lens of both designer and fabricator. Students should come with an open mind, sketch book and great attitude ready to learn and share!
Explore the wow factor of glass as a body ornament, from the elegance of minimalist collections to one of a kind and bold statement pieces. Students will first learn various processes in glass blowing, hot shaping, cold working, kiln forming and 3D stained glass. Then each student will develop their own project while focusing on design, functionality and high-end finish. The instructor will help the students individually, and guide them through the exploration of their own aesthetic in wearable glass. All levels are welcome, from new beginners to experienced glass makers who wish to refine their practice.
This course will focus on functional practices and material usage based on diverse production styles of glassmaking, material research, and manufacturing processes. These concepts will be studied together and with guests, through a crossover and collaboration between the torch and the furnace. The goal is to emphasize material understanding for problem-solving and innovative solutions while encouraging students to think beyond traditional studio boundaries. As a physical discussion on techniques and technology - old and new, production and studio, and welcoming them or fearing them, students will develop and bring a product line to fruition collaboratively by end of the session.
This hardware driven design class will live in the Bot Lab, Wood and Metal studios, exploring the creative and structural possibilities of the interstitial space between glass, metal, wood, textiles, and found objects. Students will investigate joining, supporting, and displaying elements in sculptural or functional forms. Jay will act as atelier, producing designs, Jakub will pull it all together. Emphasis will be placed on material dialogue, conceptual development, and problem-solving in mixed-media construction. Through demonstrations, hands-on experimentation, and collaborative projects this class encourages innovative thinking and is ideal for design students interested in sculpture, lighting, installation, or interdisciplinary practices.
Tord Boontje is a designer of product, furniture, and lighting design. His work is known to bring warmth, light, colour and beauty inspired by the natural world into everyday objects.He has created iconic pieces of design, such as the Blossom chandelier, Garland Light, Midsummer Light, Fig Wardrobe, Transglass and Shadowy Chartist-in-residence have become modern classics. Boontje is based in London and his work varies from handmade studio pieces to designs for industrial production.
Emma Woffenden is an artist who trained extensively in glass making techniques, which later influenced her sense of form and process in other media.Her practice involves many different materials and sometimes combines them, it can be objects, drawing, sculpture or installation often referencing the body.She lives in London and her work is represented in over 25 public collections in the USA, UK and Europe.
Jason Robert Bauer (b. 1986) is an American artist exploring consciousness through glass, light, sound, and time. His work invites transformative, multisensory experience through intuitive and technical process. In 2018, he and Romina Gonzales Bauer founded J & R Bauer Inc. and later launched The Third Rooom, an online conceptual store and design brand. Bauer has exhibited nationally and was awarded residencies at STARworks, Pittsburgh Glass Center, and Penland School of Crafts among others.
Romina Gonzales is a NY based Peruvian artist working with elemental energy. Her work has most recently been showcased at the Chrysler Museum of Art, Glass Quarterly and ArtKill Catskill Magazine. In the past two years she has been awarded residencies at the Corning Museum of Glass and Penland School of Craft, and her public installation "Finding the Window", is permanently on view at the New York Hall of Science Museum in Queens, NY.
Every summer since 1971 the glass world has come together for innovative and rigorous workshops with an international cohort of instructors and artists. In 2025 we will host seven sessions.
The summer is filled with an all-star roster including Jen Elek, Annette Blair, Ben Edols, Jessica Loughlin, Sibelly, Danny Coyle, Dante Marioni and more. An advanced topics Spring Session will include an opportunity to be a part of Pilchuck history by rebuilding one of the program furnaces with Fred Metz. Session 3 will see the return of lampworking maestro Lucio Bubacco for a 30-year reunion of his Flame to Furnace collaboration with Brian Kerkvliet and Ed Schmid. Preston Singletary and Martin Janecký will bring their combined approach to Session 4. Silvia Levenson returns during Session 5, Pilchuck’s first bi-lingual (Spanish/English) session.
Join us for another transformative year on the hill.