Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.
Have you ever wanted to push your casting to its limits, try to cast something extreme, cross your casting into the hot studio, insert something in the glass body, or shift the mould in the kiln. Then this class is for you. Bring your wildest ideas and a sense of adventure. In the studio, your instructor will push you're making skills, working with you to troubleshoot and then try something new. This class is collaborative, with the resulting objects pushing the boundaries of casting, while students help each other and learn together. It's time to cast like nobody's watching!
This course will focus on the creation and use of blown glass forms, coloured, cut and treated, in relationship with found objects and mixed media components to create compositions with narrative and personal significance. While learning a wide range of making techniques, including color treatments, cane and murrini, students will explore the creation of sculptural narratives.
This intermediate level course will focus on the creation of complex murrine in Borosilicate glass. Demonstrations will include the encasement of multiple murrine in a single piece, both solid and hollow. Students will also explore using the coldshop to prepare parts and the stump sucker for vacuum encasement. You are are encouraged to bring along your favorite tools and prepare to get into the details.
Ready Player One: Molten Mode. This class is designed for students ready to level up. With 2–3 years of experience required, this course breaks down technical theory into approachable, strategy-driven demos and hands-on exercises. No cheat codes—well, maybe a few—as we tackle challenges with effective solutions. Expect plenty of exercises to refine your process, build efficiency, and sharpen technique. We will pave the way for more success in the hotshop. Come ready to be challenged, try new approaches, and expand your skill set in a fun, risk-free environment that encourages growth through practice and process.
In this workshop students will design and create a two dimensional works that combine fused glass powder drawing with traditional stained glass methods. Drawing inspiration from natural forms, students will be guided in the use of a variety of techniques to depict plants, insects, small animals and trinkets onto sheet glass. Students will learn how to draw with glass powder, paint with enamel, draft a stained glass pattern, cut and then fully assembled by foiling, soldering and finishing.
Anya Gallaccio creates site-specific installations, often using organic materials as her medium. Due to the nature of these materials, her works undergo natural processes of transformation and decay, often with unpredictable results. Gallaccio lives between London and San Diego. In 2024, she had a solo show at Turner Contemporary in Margate, UK, was awarded the commission for the first London Aids Memorial in 2024, and is currently a Kenneth Armitage Fellow, London (2023-2025). She is also Professor Emerita at UC San Diego.
Inspired by changing ecosystems in the natural world, John works with his studio team to sculpt immersive large-scale, site-specific installations. Kinetics, impermanence and chance are often central to the work. Working in a broad range of types of sites is an important priority in order to reach and engage diverse groups of people. Actively engaging people to participate in the creation and alteration of the sculpture over time is another important aspect to the sculpture.
Cobb lives and works in Tacoma, Washington where he is a lead glassmaker at Museum of Glass. Over the past 30 years he has worked with hundreds of artists and enjoys the challenge of finding new ways to make things in the hot shop. Most recently Cobb was a resident at Soneva Fushi in the Maldives, taught at Jam Factory in Adelaide Aus., and is currently a board member for the Glass Art Society.
Joseph Rossano, b. 1962, American, is a multidisciplinary artist, environmentalist and outdoorsman. His work explores themes of natural history, extinction, taxonomy and conservation in the genres of assemblage and installation art. Rossano is known for manufacturing environments incorporating wood, photography, technology and glass. Through the creation of collectives, including artists, scholars, scientists and industry, Rossano presents contemporary histories, revealing human interaction with species throughout recorded time.
Every summer since 1971 the glass world has come together for innovative and rigorous workshops with an international cohort of instructors and artists. In 2025 we will host seven sessions.
The summer is filled with an all-star roster including Jen Elek, Annette Blair, Ben Edols, Jessica Loughlin, Sibelly, Danny Coyle, Dante Marioni and more. An advanced topics Spring Session will include an opportunity to be a part of Pilchuck history by rebuilding one of the program furnaces with Fred Metz. Session 3 will see the return of lampworking maestro Lucio Bubacco for a 30-year reunion of his Flame to Furnace collaboration with Brian Kerkvliet and Ed Schmid. Preston Singletary and Martin Janecký will bring their combined approach to Session 4. Silvia Levenson returns during Session 5, Pilchuck’s first bi-lingual (Spanish/English) session.
Join us for another transformative year on the hill.