

Images featuring artwork by Jakub Pollág (above) and KEEP (below)
From the earliest core-formed vessels to contemporary architecture, lighting, and bespoke functional objects—the history of glass has always been intertwined with design. The Design Conference will explore this connection through a series of panels, lectures, and demos in our historic lodge and studios. This event is the third in a series of focused events that started in 2023 with the Neon Symposium and followed in 2025 by the Casting Conference. We welcome artists and enthusiasts of all levels to join us in this unique exchange of ideas, knowledge, and inspiration.
Full Conference Passes include access to all three days of conference programming as well as lodging, meals and special after-hours activities.
3 Day Pass Bundles include access to all three days of conference programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.
Single Day Passes include access to programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.
See below for the full schedule of presentations and demos.


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In this presentation / conversation David Aldeheff, founder of The Future Perfect and Jay Macdonell, Director of Material Exploration and Development at Bocci, will kick of the conference by discussing the insections between contemporay design and art.
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This talk explores the historical roots, contemporary practices and possible futures of glass in Scandinavia. Susanne Jøker Johnsen will examine how place, people and matter have shaped Scandinavian glass, from historical production centres, such as Sweden’s Kingdom of Crystal, to the Danish island of Bornholm and its vibrant contemporary craft community. The story of glass, craft and making is deeply connected to place, resources and local identity. Today, glass is experiencing renewed momentum as a powerful artistic medium. But what might a sustainable future for glass look like? How can artistic practice and production continue to flourish while respecting planetary boundaries?

In Finnish design, glass has never been just a material; it has been a tool for elevating national identity and reflecting a profound relationship with nature. Designer and artist Helmi Remes explores the journey of Finnish glass from its 1950s golden age to its future horizons.In the Finnish tradition, ""sensitivity"" is not a weakness, but a profound form of technical and emotional precision. Discover how masters attuned to the properties of glass to build international legacies and how today’s designers respond to the sensitivities of our time while preserving the fragile cultural heritage of Nordic glass.

As part of a broader strategy to bring greater visibility to female makers and designers within the multi-faceted global histories of glass in the postwar era, this presentation will center the critical work of midcentury female designers. The 1940s – '70s were the breakthrough years of glass gaining global attention as a material of artistic distinction, and all of this was granted due to the work of designers.

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An ode to a glass legend. Richard Royal and Dante Marioni will pay tribute to the late Benjamin Moore and his indelible influence on the glass community in this demonstration in the hot shop.
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Full Conference Passes include access to all three days of conference programming as well as lodging, meals and special after-hours activities.
3 Day Pass Bundles include access to all three days of conference programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.
Single Day Passes include access to programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.

Most products are designed to be seen. Jakub Pollág designs to be understood. In this talk, he dissects the decisions behind his work — the materials, the manufacturing, the meaning — and makes the case that quality isn't a finish. It's a way of thinking. Why does it take time? What quality costs, what it reveals, and why it's worth it.
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Join moldmaker Greg Allen and glass artist Adam Holtzinger for a lecture and live demonstration exploring how ideas become mold-blown glass. Beginning with the fundamentals of mold design, materials, and fabrication, they will examine how artistic intent is translated into a functional tool and ultimately into a finished object. Through three live demonstrations, attendees will see how different mold designs influence the making of glass while revealing the collaborative process between designer, moldmaker, and glassblower.
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Felicia Hung is the co-founder of In Common With and Quarters. Her design practice is driven by an obsession with craft, materials, and the often-invisible processes that bring objects to life. She and co-founder Nick Ozemba launched In Common With in 2018 as a studio that operates on this shared ethos, integrating traditional modes of making with modern, scalable production. Since their founding, Felicia has led the development and manufacturing of the brand’s modular lighting and homeware collections, building frameworks that allow handcraft and experimentation to live in concert with precision and scale. Her focus extends beyond design to the complex, collaborative systems that make it possible to create objects with this synthesis of creative rigor and adaptability. In 2024, she expanded this vision with the opening of Quarters, a concept store and gathering space in New York where her commitment to process translates into products that are as meticulously engineered as they are unexpected and alive. Between both these brands, Felicia continues to expand the definition of design entrepreneurship, grounding it in structure and systems design while leaving room for curiosity, collaboration, and change.
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We seek to reclaim the term materialism — not as a symbol of empty consumerism, but as a meaningful practice: shaping our future through form and matter. For most of our history, life adapted to the material world around us. That changed the moment we discovered tools, technology and architecture. Human history can be read as a story told through materials — each breakthrough marking a new chapter in our evolution: the Stone Age, the Bronze Age, the Iron Age, the Silicon Age. In this spirit, we invite you on an odyssey, as seen through the works of BIG.
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In an industry where every project is unique and failure can be costly, how can glass studios build businesses that are both creative and scalable?
In Thinking Vertical, Matthew Day Perez explores Shiny Sparkle Studio's pursuit of vertical integration as a strategy for increasing efficiency, reducing waste, and creating long-term sustainability. Drawing on the philosophy of "more Ford, less Ferrari," Perez will discuss practical approaches to standardizing production where possible without sacrificing creativity.
The session examines how integrating fabrication, education, material sales, and community can strengthen a studio's resilience. Perez will share how Shiny Sparkle Studio uses its educational programs to absorb excess material, cultivate emerging artists and designers, and transform waste into opportunity, creating a more sustainable and economically viable ecosystem.
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Joe Cariati and Austin Fields bring two distinct philosophies of glassmaking to the field. Since 2007, Cariati established his presence in the design world before evolving into a direct-to-consumer and interior design-focused business. His practice is defined by precision, restraint and execution. Austin Fields approaches glass from the opposite direction. Her work is fluid, intuitive and sculptural, expanding into immersive wall installations that transform architectural space through light, reflection and form. Together, their practices explore the dynamic tension between structure and spontaneity, revealing how seemingly opposing philosophies can coexist in their studio.

For over 20 years, R & Company has championed collectible design, advancing the contemporary marketplace and actively growing a global collector base and clientele. Its founders, Zesty Meyers and Evan Snyderman, are widely recognized for identifying rising talent, deepening scholarship about collectible design, and developing new avenues for growth in the industry. Their gallery continues to serve as a critical platform for experiencing twentieth and twenty-first-century objects and for discovering innovative, rare, and significant design.

Join Matthew Day Perez of Shiny Sparkle Studio, Adam Holtzinger and Susan Špiranović of KEEP, and Felicia Hung of In Common With for a discussion on the relationship between fabricators and designers when creating contemporary works and design. Moderated by Adrian Madlener, contributor to Dezeen, Wallpaper and Luxe.

Full Conference Passes include access to all three days of conference programming as well as lodging, meals and special after-hours activities.
3 Day Pass Bundles include access to all three days of conference programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.
Single Day Passes include access to programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.

In this presentation, I will be digging into finding meaning in a studio practice, using skill sets and methodologies that are accessible and tangible at street level while using glass and craftsmanship as currency in the luxury market.

In Hillary's 20+ years in the furniture business, she is guided to lead MR. by principles that include (but are not limited to) teamwork, respect, creativity, ambition, kindness but will also stand firm and strong, dependability, fun because otherwise what are we doing?, communication and just a deep love for the people and products that she gets to interact with daily. Creating the MR. environment has stretched Hillary creatively in the best ways and her current mantra is "let's get a little bit weird."
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The presentation begins with Steven Holl Architects' history of material research and glass, exploring how the firm's interest in light and the haptic realm fostered a culture of experimentation. It then follows institutional projects that led to collaborations with artisans and studios such as Keep Brooklyn. Research at UrbanGlass and Brooklyn Glass, together with artist collaborations, expanded that work into new approaches to mold making, digital fabrication and production, leading to independent work via the Experimental Mold Workshop with Gosia Pawlowska and the research practice Cherry Molds. This talk explores the feedback loop between architectural research, artist collaboration and making.
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Attendees of this presentation will learn basic and necessary understanding of how public/civic art projects are generated and funded. They will get a clear overview of the major processes in public art phases, i.e. design, fabrication and installations. Attendees will also get in-depth knowledge on the history of the glass collection at SEA International Airport, as well as a revealing, first-ever presentation on the port's biggest public art investment to date, highlighting the new installation of Sabine Marcelis on the entry of arrivals drive at the airport.

The successful execution and integration of artwork and design made with glass depends on everything from aesthetics to material choices to proper processing to engineering to installation. Learn how these issues are resolved at Bullseye Studio through a series of case studies of architectural-scale artworks made in kiln-glass.

Omer Arbel will discuss his open ended approach to process, how it unfolds at his studio across scales from objects to buildings.
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A paradox of opposites. Objects made through Omer Arbel’s experiments with metal and glass. 93/113 combine glass and molten metals, in cohesion and opposition.
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Full Conference Passes include access to all three days of conference programming as well as lodging, meals and special after-hours activities.
3 Day Pass Bundles include access to all three days of conference programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.
Single Day Passes include access to programming between 8 am – 7:45 pm as well as lunch and dinner in the Pilchuck Lodge. Lodging is excluded.