Participants may select one workshop per session, during which they will be fully immersed in a vibrant educational environment on the breathtaking Pilchuck campus for the duration of the session. All participants eat, work, and sleep on campus for the entire session. Days include intensive instruction and demos throughout the day and evening, as well as ample opportunities for personal exploration and studio time. Housing is warm and rustic and most accommodations require a brief walk through fields and forest to reach the studios.

This course begins with the basics of silicone mold making and moves quickly into the fabrication of hanging/hollow core refractory molds. Advanced projects will include interlocking refractory molds used to cast a hollow form within a larger glass object. Students will learn silicone mold making, wax-working, glass-casting, refractory mixes, and some cold-working. They will walk away with silicone molds and cast glass objects.

Combining the instructors' shared love of glass painting and stained glass, this class will focus on fired enamels painted onto a variety of sheet glass—clear and colored, transparent and opaque. Explore both black and colored enamels as well as silver stain in reflected and transmitted light, using traditional and experimental painting techniques. Students will have a variety of finished work for the wall and the window by the end of the class.

Celebrate the beauty of experimentation, growth through failures, and the boundless possibilities of working with molten glass. This course is designed to inspire both beginners and seasoned artists alike to push their creative boundaries while exploring the captivating interaction between glass and color. Through demonstrations and hands-on instruction, this course will focus on color theory, problem solving, risk taking, and a wide range of glassblowing techniques.

Join artist Kate Hush and immerse yourself in a luminous exploration of the subconscious world. Do you have visions of neon visiting in the night? A lucent trinket, or an image burned in light? Create the neon sculpture of your dreams based on artifact or image that resonates from within. Whether born from a bauble or borrowed from a blueprint of the mind, turn your fantasy into reality and learn all of the integral aspects of neon creation from design, to construction, to final installation, and bring home your very own radiant replica in glass.st one fully realized three-dimensional neon sculpture.

This workshop will examine the qualities that make glass such a powerful mode of expression and help students find an honest and natural relationship with the material. We will cover many techniques for creating glass sculpture, including glassblowing, adhesives and assemblage, color application, and coldworking. Traditional and nontraditional processes will help you access the expression that comes from a harmony between you and the material.
Paul Simon, also known as notpaulsimon, is a Romanian-American artist living and working in Brooklyn, New York. As a sculptor with a background in human biology and commercial photography, Simon creates a fantastical world in which materialities are present and absent, both hiding in plain sight and as objects of the digital imaginary.

Modou Dieng Yacine received a French Catholic education, while the majority of Senegal was Muslim. This created a foundational bond with France and its culture but also bred a deep alienation from his Senegalese and African identities. Alongside his entry into the National School of Art in Dakar, began the first Dak’Art African Art Biennale through which he was able to attend workshops with Joe Overstreet, Mildred Thompson, Leonardo Drew, Frank Bowling and Mary Lovelace O’Neal. Inspired, he began to personally explore the depth and possibility presented by a canvas, the imaginative lines and multiplicity of layers which can be continuously applied to its surface.Moving to the United States he earned his MFA at SFAI in San Francisco. Moving past the perspective he gained while in Dakar, he began to open up his practice to new mediums. His paintings became, and have since remained, a performative act themselves. The topic, emotions and concept dictating the medium.While accepting a position at PNCA, Portland, which he held for a decade, he began a deep exploration of the underground subcultures presented by the Pacific Northwest and its histories. Looking back on his experiences at SFAI and his time spent with Okwui Enwezor, he founded a gallery which would last for a decade as well.In his current studio practice, using and appropriating the history of both painting and photography, as two unique contemporary mediums, he is able to layer, sample, mix and play on the theater of his newly found Black diasporic voice. He currently lives in Chicago.

Throughout her artistic career, Danielle has explored her voice through various techniques involving glass and mixed media. After receiving her Bachelor of Fine Arts in Glass from the Tyler School of Art at Temple University in 2012, she immediately became immersed in the world of glass lighting and production. Danielle previously lived in Brooklyn, New York where she worked as a freelance glassblower, artist assistant and educator out of UrbanGlass. During this time, Brensinger also taught as an adjunct professor at Salem Community College in New Jersey. She has received full scholarships from the Celebrity Fund as well as the Tommie Rush and Richard Jolley Scholarship Fund to attend classes at the Corning Museum of Glass and the Penland School of Crafts. Danielle has also been able to attend Pilchuck Glass School and the Bild-Werk Academy in Frauenau, Germany as a teaching assistant for both glass blowing and bronze casting classes. She recently completed her Masters of Fine Art at Cal State San Bernardino in 2023 and currently lives in Los Angeles, California. Danielle is an integral part of Second Best Studio while she continues to work as a freelance glassblower fabricating work for lighting designers and other artists.

Originally from Seattle, Mike Jess relocated to the East Coast in 2017 to further pursue a career in glass. Currently he works as a fabricator and cold worker out of the UrbanGlass studios in Brooklyn, NY. In his personal work, he employs clean, simple forms and layered carving techniques to reveal and create dynamic color relationships. Most recently he had a residency at Gray Barn Studios in Arlington, WA, and a winter residency at Penland School of Crafts.

The 2027 program will have a bit of everything, with workshops led by new and returning Guest Artists from all around the world, featuring a wide variety of techniques to expand your practice! Our offerings are vast and unique, including everything from glass and stone carving with Viviane Stroede and Tobia Silvotti, a glassblowing equipment fabrication workshop with Philip Vinson, a Pâte de verre intensive with Eriko Kobayashi, to an epic mega workshop led by William Morris's old crew, including returning Pilchuck legends Rik Allen, Shelley Muzylowski Allen, Nico Dimitrijevic, Martin Janecký, Jasen Johnsen, Karen Willenbrink-Johnsen, Kelly O'Dell, Ross Richmond, Raven Skyriver and Randy Walker.
With eight sessions stacked full of workshops in nearly every glass technique and at every skill level, there are options for everyone! Our 2027 Program is guaranteed to offer you exciting opportunities for creative experimentation. We hope you enjoy exploring our program and feel inspired to join us on campus. It will be a once-in-a-lifetime experience that you won't want to miss!